Saturday, April 21, 2018

The One who Modifies Time and Light

New Invisible Birds release shipping forthwith
Matthew Swiezynski The One who Modifies Time and Light

Provided here is thorough documentation of the special edition ib011 néant, released in an edition of 11 with an additional artist edition.
Edition includes :
- The standard edition glass mastered CD with handmade packaging. Sleeve features a black monochrome ink print
- Special edition CDr with soundtrack related work by Mr. Swiezynski
- 2 original oil drawings on un-primed Khadi paper, some modifications/transformations may occur over time
All housed in a lovely box with tipped-in plate spine image. After ordering we will contact asking which number you would like from images below (some sold).

Sunday, April 1, 2018

Notes After Long Silence

Filmmaker Saul Levine Leaves MassArt Following Dispute over Artwork

My passion for film, music and reading started with studying film with Saul Levine from 1994 to 1997 at MassArt. All these years later - films I watch, I look at in a way that has so much to do with being around Mr. Levine in those years. He was just one hell of a great teacher, and going into grad school I really missed his passion as I didn't find it at the same level ever again. This business in the Art Forum article is a fucking travesty, it really reminds me that I was so lucky to have been a student at such a great time. Now with the pc nonsense that is plaguing this country, I couldn't imagine getting a proper education, luckily there had been a few teachers here and there still giving a solid education (now I am not sure). After I left grad school, most of the elder professors there were let go and young ones brought in. Just so hard to imagine the reasons behind this nonsense except the wrong people have been given power right now, it goes way beyond Donald Trump.

In addition to all this, the film in question "Notes After Long Silence", was such a huge inspiration to me in those years, and took me so far out of the conservative ideas I had about the potential of film and art in general. Working with sound throughout my life, Mr. Levine's use of sound in his films made my head spin and started a life long pursuit of what could be described as the lushness and jouissance of surface imperfection. I can't imagine how many students have gone through that film department and been so transformed by his work and teaching.

Be damned to the ninth circle all who had anything to do with this awful business, I hope this tragedy has an impact on young people and how they process the velveeta cheese that is pushed on them by the frauds that now run these universities.

Sunday, March 18, 2018

plato's cave fifty seven (being a film journal)

James Ivory - The White Countess - 2005
First time seeing this film. Was very happy Mr. Ivory won for Call Me by Your Name at the Oscars. Beautiful film by him, as was this The White Countess staring the lovely Natasha Richardson who died quite tragically, and Ralph Fiennes.

Arthur Hiller - The In-Laws - 1979
Second time seeing this. Not surprised Criterion put it out, a really great film. Completely absurd, Falk and Arkin are a great comedy duo. James Hong and David Paymer really stand out. Headspinning nonsense.

David Mackenzie - Starred-Up - 2013
Second time seeing this. Great fucking film! Ben Mendelsohn as always pushes it to 11, as does Jack O'Connell. One of the best prison films, just unrelenting.

Stephen Frears - Prick Up Your Ears - 1987
Second time seeing this. Alfred Molino is just one hell of an actor. Compare this roll to Boogie Nights! As is Mr. Oldman. Some fantastic stuff in this film, from talking about buggering The Beatles to the final scene. Worth repeat viewings.

Ryan Coogler - Creed - 2015
I really liked this film but I think the end fight scene was lacking. Too much abridgement rather than giving the match some space.  Grew up loving Rocky and seeing Stallone doing his thing was really rewarding, even though he has not been in many A list films, he is quite a subtle actor. Didn't recognize Tessa Thompson from Annihilation until my wife pointed it out, quite a different role for her. Enthusiastic about Ritchie Coster, a character actor that always commands your attention. One of those guys.

Sean Penn - Into the Wild - 2007
Didn't dig this film. I think the main actor and his character did not appeal to me. Sean Penn is practically god as actor though, I want to watch The Pledge again soon as it is a proper directorial effort by Mr. Penn.

Whit Stillman - Barcelona - 1994
Gave this a try even though I have not liked Mr. Stillman's films. Hard to comprehend what he is going after for this viewer, reminds me a bit of Hal Hartley films, but lacks the subtleties and idiosyncratic direction that Mr. Harley achieves. Not my rhythm.

Jonathan Kaplan - The Accused - 1988
Third time seeing this, once around the time it came out (in high school) and then a year or so after. Besides the rotten music which plagues many films from this time period, it has some pretty shocking scenes. Was very surprised the rape scene was as intense as it was, if it was in a film now it would stand out. Made me want to watch Demme's The Silence of Lambs (for the billionth time), on the new Criterion version. Also other Demme films from that time period which PT Anderson brought up in his Fresh Air conversation. Jodie Foster is outstanding in the film.

Alejandro G. Iñárritu - The Revenant - 2015
Third time seeing this. Breathtaking photography by Emmanuel Lubezki, every damn frame is so lush. The soundtrack by Alva Noto, Bryce Dessner, and Ryuichi Sakamoto is perfect. Also features Messiaen's Oraison in the post sleeping in a dead horse walk. Long virtuosic shots remind the viewer very much of Alfonso Cuarón's Children of Men. Nearly perfect film.

Bruce Beresford - Tender Mercies - 1983
Second viewing, love this film. Tender Mercies fits in with the early nineteen eighties nihilism and anti-romanticism described in an earlier post.  Similar to 70s films but in a much plainer style, with an economy of means. Mentioned earlier, something magic about these films before the Hughes pack stunk up the joint. Watching it, I couldn't put my finger on where I saw Tess Harper, until I looked her up and saw her as Jesse's mother in Breaking Bad, Loretta Bell from No Country for Old Men, and an episode of True Detective. Always a pleasure to see Wilford Brimley, also has a small role with one of the less fortunate characters from the second season of Twin Peaks, Lenny von Dohlen. Photographed by Russell Boyd, who shot Picnic at Hanging Rock, The Last Wave, Gallipoli, and Master and Commander: The Far Side of the World. Also, the only thing better than a Robert Duvall film is a Robert Duvall film where he plays country music.

Mark Robson - The Harder They Fall - 1956
Last Bogart film, third time seeing this. Great story, kind of an interesting contrast to In A Lonely Place where he has such high standards, here he is a sort of good guy just content to make some money as he just doesn't give a shit and wants to not struggle (until his consciousness has a reawakening). Both are such good Bogart films. I forgot which film it was from until it happened, and literally nearly had a heart attach from laughter, but I love the lady yelling "you yellow dog!" over and over after the main boxing match. Such crazy nonsense, really beautiful stuff! One thing many contemporary films lack is this "business" that can be so damn powerful. Great looking film with lots of extreme darks, shot by Burnett Guffey who also shot From Here to Eternity, Bonnie and Clyde, Birdman of Alcatraz, In a Lonely Place, Nightfall and many others. Also features Val Avery, the great character actor from films such as Minnie and Moskowitz, The Killing of a Chinese Bookie, Hud, Faces, and The Long, Hot Summer.

Alan Parker - Mississippi Burning - 1988
Third viewing. Very interesting music by Trevor Jones, sort of post-kraut.... intense stuff, possibly overly used but gives a specific mood to the film. Watching this now one wonders if this country has progressed much since these practically medieval days? A good film to remind one of the continual presence of fascist swines in government : They Live. Watching just aesthetically: the cast really is strong - Gene Hackman and Willem Defoe, both at their best. Frances McDormand in a really wonderful early role. Brad Dourif, Michael Rooker, Pruitt Taylor Vince and R. Lee Ermey as some dirty cowardly mellon farmers. Great film!

Stephen Frears - Philomena - 2013
Second viewing. Very nice film. Another one to get you angry about the poverty of integrity in this world.

Gus Van Sant - Good Will Hunting - 1997
Fourth or fifth time with this film. Remember not liking it when it came out but gave it another chance a few years or so after it came out and have watched it quite a few times since then. Just one of those great 90s films with some really elegant acting : Robin Williams, Stellan Skarsgård,  George Plimpton, Casey Affleck and of course Matt Damon and Ben Affleck. Those songs by Elliott Smith are such gems. Photography by Jean-Yves Escoffier who shot Rounders right after this. Over the years have enjoyed many films by Mr. Van Sant including his Béla Tarr, and partially Alan Clarke inspired trilogy (Gerry, Elephant, and Last Days), My Own Private Idaho, and To Die For.

Michael Mann - Heat - 1995
Probably one of my favorite films from the 90s, saw this in the theater with my father and have been religiously devoted to it ever since, have watched close to fifteen times, maybe more. De Niro really stands out in this, one of his best roles. I really can't say I like Val Kilmer much as an actor (probably after seeing The Doors) but he is so subtle and powerful in this role, as are Tom Sizemore, Ted "Put the fucking lotion in the basket" Levine, Wes Studi, Ashley Judd, Tom Noonan, Danny Trejo, Hank Azaria, William Fichtner, Dennis Haysbert (in Far From Heaven), and quite a few others. Guitar driven soundtrack really exemplifies the style of Mann (in the John Carpenter tradition?), with music by the heaviest of ECM guitarists Terje Rypdal, and also Moby (Joy Division cover New Dawn Fades and God moving over the face of the waters). Had in my mind that Moby was not of interest without listening to his music, but I really loved his contribution to the recent Twin Peaks and his work in this film. Also songs by Lisa Gerrard, Michael Brook, Brian Eno, Elliot Goldenthal, and Kronos Quartet and Einstürzende Neubauten (The song Armenia). Heat was shot by the great Dante Spinotti, photographer of Manhunter, The Last of the Mohicans, L.A. Confidential, The Insider, Wonder Boys, and a few others. The final shootout scene is so masterly constructed and a perfect example of how photography, editing, sound design, music, acting and direction can sometimes come together so perfectly. Starting with Brian Eno's song Force Marker keeping rhythm, basically a loop during the robbery and exit, the tension builds to a near breaking point. As soon as gun fire erupts the music stops dead and the volume of the firing just becomes defining. Still one of the most virtuosic and visceral action scenes ever in a film, after quite a few viewings I still look so forward to it, the power is like what I imagine a junky feels when shooting up..... reminds one of coitus as well.

Sunday, March 4, 2018

plato's cave fifty six (being a film journal)

Russell Mulcahy - Highlander - 1986
One strange film. First time watching. Found it to be an atypical 80s film. Sean Connery and his echoed voice from the bathroom opening the film is very nice. Also Clancy Brown, guy is a serious actor. NYC in the 80s, what a place.

Sergio Leone - The Good the Bad and the Ugly - 1967
Watched this over and over as a young man. The lines enter the brain before the ear hears them. Never gets old. Fucking Morricone too, from semi-kitsch to avant'garde, great score.

Arthur Penn - Night Moves - 1975
Reminded me that I don't watch film for plot and that that is acceptable.  Plots tend to be secondary for this viewer. Think of Raymond Chandler and The Big Sleep. Night Moves' plot is a bit of a headscratcher... the details... doesn't matter, actually adds to the enjoyment of the film. If ever unsure of Gene Hackman as one of the greats, this film will convince you.  Melanie Griffith's raison d'être in her early films must have been être nu.

John Huston - Fat City - 1972
Third time watching. One great film. Boxing films have a special place in this viewers world. Has some really great boxing scenes, not virtuosic like Raging Bull, much more subtle and contemplative. Stacy Keach is a heavy actor, he even gets in there deeper than Jeff Bridges. That cleft lip really sets him apart as well. Nothing like the scene early on of Keach shadow boxing. Conrad L. Hall photographed this film, works from him include Cool Hand Luke, In Cold Blood, Butch Cassidy and the Sundance Kid, The Day of the Locust, Marathon Man, and Tequila Sunrise.

Mike Hodges - Get Carter - 1971
Nearly perfect film with Michael Caine. Caine, a London gangster, goes home to the North of England to avenge his brothers death and is warned not to. Reminded me of Red Riding trilogy where they say we do what we want in the North. Such a great ending.

Jerzy Skolimowski - The Shout - 1978
Second time seeing this strange film. John Hurt works as a musician recording and even just making strange avant'garde sound with his mic and equipment. Alan Bates performs Merzbow or Masonna out of his mouth and kills. Very unusual film editing by Barrie Vince, extreme but quite subtle.

Lawrence Kasdan - Body Heat - 1981
This film fits in a bit with the previous post on the strange period in film around 1980-84. 3rd time viewing, love the film. William Hurt is such a wonderful actor, especially in this role. Others would include Altered States, Eyewitness, Gorky Park, Kiss of the Spider Woman (still have not watched all the way through), Broadcast News, Alice, Smoke, and A History of Violence..

John Milius - Red Dawn - 1984
Confirms my views on many examples of 80s cinema. Some of the worst acting ever put to celluloid, except for the brief appearance of Harry Dean Stanton. Saw this as a kid but didn't have a memory of it. 
“If you know the enemy and know yourself, you need not fear the result of a hundred battles. If you know yourself but not the enemy, for every victory gained you will also suffer a defeat. If you know neither the enemy nor yourself, you will succumb in every battle.”
Sun Tzu, The Art of War.

Kathryn Bigelow & Monty Montgomery - The Loveless - 1981
First feature role for Willem Dafoe (he had small part in Heaven's Gate), and first feature of Kathryn Bigelow.  Monty Montgomery is the strange cowboy in Mulholland Drive "A man's attitude... a man's attitude goes some ways. The way his life will be. Is that somethin' you agree with?" Pretty good film, had not seen it before. Defoe is really great in it. They surely watched some Kenneth Anger films, he has a strong presence in the film.

Michael Cimino - Desperate Hours - 1990
First time seeing. I love Cimino's Deerhunter and Thunderbolt and Lightfoot. Have not taken to his other films. Good performances by some of my favorite actors - Elias Koteas, Anthony Hopkins and Mickey Rourke. Dean Norris pops up in it as well.

Taylor Sheridan - Wind River - 2017
Second time seeing this. Very fine film.

Jim Jarmusch - Stranger Than Paradise - 1984
A film I use to watch often in my 20s. Had been 15+ years since last viewing. Lurie and Edson seemed like old dudes to me when I was in my 20s, now a couple of hip kids. Funny. Great film now as the first time I saw it.

Saturday, February 24, 2018

plato's cave fifty five (being a film journal)

Kogonada - Columbus - 2017
Enjoyed this film. Big enthusiast of the architectural work of Eliel Saarinen and slightly of Eero Saarinen, the way the film dealt with that work was visually impressive. The main character evolving into a talented young women from a more than interesting girl makes for a good story. Had a slight problem with the style of the film which had good intentions (a strong familiarity with Ozu, Bresson and similar filmmakers) but didn't get past those influences in a way that was completely satisfying. The actors were top notch but one was always aware that they were acting and acting in a movie. This style could be a dialogue with the mechanics of cinema, the camera in relationship to the world, to buildings, to people, but it never got to that level. Despite the crit, it was a good watch and emotional.

Jerzy Skolimowski - Moonlighting - 1982
See previous post.

Steven Soderbergh - Logan Lucky - 2017
Second viewing. Saw initially in theater. Better half wanted to see so a second viewing.  Good business with Adam Driver, Channing Tatum, Daniel Craig and Hilary Swank. Funny film and enjoyable.

S. Craig Zahler - Bone Tomahawk - 2015
Reading John Williams' Butcher's Crossing (perfect book!), so decided to have a night of westerns. The first one was Bone Tomahawk, from the director of Brawl in Cell Block 99, no fucking around with this film. Heavy.  Good cast, Kurt Russell and Richard Jenkins were top notch (Jenkins really funny), as was Patrick Wilson. Tearing out the voice box deal not easy to watch but easier than watching Wilson stick the bloody thing in his mouth. The tendency to violence by Zahler not dissimilar to Michael Mann's except more gory.

James Mangold - 3:10 to Yuma - 2007
Had seen the original which is a real serious film, but not the remake. Assumed it would be not great, but was quite a bit better than I expected. Christian Bale and Russell Crowe in top form, Peter Fonda quite good too, good cast in general.

William Wyler - The Westerner - 1940
Second or third time watching this. For any fan of Walter Brennan, this is one of those films that is just so so perfect because of his performance. Brennan as a film heavy is one of those things this film viewer lives for, another example would be My Darling Clementine (my boys....). Brennan was born in Lynn Massachusetts, I used to live near there and people would say Lynn Lynn the city of Sin. He is one sinner son of a bitch in these two films. A slight drawback I didn't remember is some of the domesticated scenes. A friend recently said he had trouble with pre 1970s films because all the actors were like this *, it is actually somewhat true with many actors from the early days, in this film Brennan is totally contemporary to me... subtle and sinister, yet Doris Davenport was pretty much exactly like the ham from In Living Color. I edited her out in my mind and enjoyed the shit out of this film.

Steven Soderbergh - Ocean's Eleven - 2001
Great cast. Very entertaining film, had only seen bits here and there on cable. Soderbergh is often times capable of making a really tight film.

Glow series, first couple few episodes.
Tried watching this because I like Marc Maron but it didn't arrive to my head properly.  Funny how these shows have such gratuitous nudity. The best uncalled for nudity example is in True Detective season one with the Vashti Bunyan music. I feel bad for these actress having to do nonsense like this so some old bugger will not change the channel.
Sam Wood - The Pride of the Yankees - 1942
Second time seeing this. Good solid film. Forgot Walter Brennan was in it, good viewing this after The Westerner a few nights before with both Cooper and Brennan. They are a good match. Teresa Wright too! Underrated actress.

Coen Brothers - Inside Llewyn Davis - 2013
Second time seeing this. Saw in theater initially and did not care for. A bit more liking for it this second time, the Oscar Issac character is just so unlikable but understanding him as someone that will just die without reaching his goal of being famous is easy to relate to. I found more to like in the film with that concept. Not everybody is Bob F. Dylan, some people are just losers, and losers are ok in my book.

Alex Garland - Annihilation - 2018
Ex Machina writer and director Alex Garland, plus composers Geoff Barrow & Ben Salisbury and cinematographer Rob Hardy, all from Ex Machina (Hardy also shot Red Riding: The Year of Our Lord 1974). My favorite parts of the film were Natalie Portman in a Ramboesque shot with her partially in slow motion shooting a machine gun. Visceral! Also, much of the music/sound design was top notch, like when Jennifer Jason Leigh turns to light, the music/drone was truly beautiful and intense. And the Jóhann Jóhannsson like melody inside the lighthouse as Portman meets her clone, had the melody in my head for a while. The cinematography of the film was quite strange.... pastel-like colors, not much contrast or richness in color, not really my taste but it had its moments and gave the film a unique quality. Some of the early photography inside the lab (and before) looked overly video in quality and it was hard to say if that visual style gave much to the film, except for an extreme coldness in aesthetics. I bought the blu-ray of Stalker, and have yet to really watch it all the way through. As a young man about town, Stalker was one of the films that most inspired me.... I like the relationship of Annihilation to Stalker.